New crossover album: triggerLand

Beo String Quartet is pleased to announce the release of our latest project entitled triggerLand. The album was created in response to a burning question being asked all over the United States: How does a society move forward in the face of unwillingness to consider new conversation or opposing points of view? “The fictional gun creation myth told by triggerLand is but a vehicle for addressing a larger issue,” writes Sean Neukom.

About the music, he says, “Featuring the virtuosic nature of the string quartet, the principal developing material of the music is found in the quartet writing, though the drum parts also play a major role. Each track embodies a different style of the progressive rock, metal, or indie rock through the lens of chamber music and modern composition.” The musical and thematic influences on triggerLand derive from a multitude of rock, pop, film, and classical sources. Hip-hop, stoner rock, Spaghetti Westerns, Dream Theater, Radiohead, and Civil War movies are but some of the sources of inspiration for the project.

The album is available on May 25th. Prepare for a journey full of mystery, wonder, horror, and myth!

Beo receives glowing NYC debut reviews

Two strong reviews have been published of Beo’s Morgan Library performance on January 31st, 2023.

George Grella, covering the Morgan Library concert for New York Classical Review, wrote on February 1, 2023:

Beo String Quartet makes an outstanding New York debut. ..These days that one expects exact intonation and clear articulation from quartets, at all speeds and dynamic levels…The Beo Quartet had all that technical facility, to which they added a sound that was grainy with a touch of velvet, robust and woody—superior technique wrapped in a classic sound. Inside the historic room of J.P. Morgan’s own library, in the company of books and music manuscripts, and with the space’s excellent acoustic, the sheer sound of the quartet was invigorating and deeply satisfying. As was their artistry, which came across in both the programming and the playing. With all this skill, passion, and strength, one expected great things form the Shostakovich performance, and the quartet did not disappoint. This was an ideal pairing of playing and compositional styles—the quartet’s sheer expressive force added tremendous weight to Shostakovich’s theme.

For the full review, click here.

And Frank Daykin, reviewing January 31, 2023 in The New York Concert Review, had this to say:

”Beo” means: to bless, make happy, gladden, and delight. Based on this one introductory hearing, I believe the Beo String Quartet is poised to do just that, to an ever widening circle of audiences. [they have] two areas of perfection—1) absolute purity of intonation, which was really evident in their Bach selections and 2) that supernatural one-ness of interpretive intent that animates the best quartets...The “heat” of Beo’s performance of [the Shostakovich Quartet No. 8] showed me that its strengths may lie in the traditional repertoire, despite their commitment to adventuresome commissioning and their admirable educational outreach angle—so necessary if there is to be an audience for this sort of thing at all in the future…Bravo Beo, I hope to hear many more good things from and about you for years to come.

For the full review, click here.

New music video: People

We're born. We grow. First steps lead to first words. We learn. We learn to work with others. Together we build. Structures rise. We travel to the moon. Yet at the same time, there's continual poverty. Destruction of our planet. And there's always the next war. We die. And then the cycle continues through our sons and daughters. We are people.

Beo releases a new music video with music composed by Sean Neukom, available here.

Classical Concept Album 131 to be released on 1/31 2023

In addition to commissioned recordings of Verdigris (Charles Nichols) and The Amazing X-Ray Machine (Gary Eskow), stay tuned for more details on Beo's latest classical concept album, 131. Featuring two staggering works by Beethoven and Beo's own Sean Neukom, 131 traces a powerful narrative arc from the current disintegration of art and humanity to a final triumph of purpose and renewal.

Beo participates in Brazilian International Festival

Festival Internacional de Música do Pará XXXIV
November 5th-17th
Belém, Brazil

Featuring three to four performances each day of chamber music, orchestral works, percussion & jazz, the 34th edition of the Festival Internacional brings musicians from Brazil, USA, Russia, Bulgaria, Ukraine, Portugal, and others together in Belém for an intensive week of musical and cultural exchange with the residents of a unique metropolis at the edge of the Amazon.

Beo performs for Ibagué Festival in Colombia

Beo travels to Ibagué, Colombia, for concerts and masterclasses as part of the Ibagué Festival. All performances and masterclasses are free and open to the public.

MASTERCLASS - Friday, September 16th @ 9am

CONCERT - Friday, September 16th @ 5pm
Sonidos de lo local y lo global - Program notes

CONCERT - Saturday, September 17th @ 11am
Lenguajes contemporáneos - Program notes

MASTERCLASS - Sunday, September 18th @ 9am